"Every
painting should have the 'wow' factor," says Paul Brown, "and ideally
what I aim to achieve in my paintings is to arouse an emotional
response from the viewer." However, while Paul is conscious of the
fact that paintings are a way of communicating ideas and therefore
they should be seen by other people, ultimately he paints for his
own satisfaction. And he believes this must also apply to commissioned
pieces, such as the landscapes and beach scenes that he paints for
various clients. In his view, a painting is more likely to be successful
if it is an expression of how the artist feels about something,
rather than created to please someone else." But if I am pleased,"
he says, "hopefully other people will like the work too."
Paul's
subject matter is wide-ranging and includes landscapes, views of
Venice and London, interiors and figure compositions. "I especially
enjoy setting up scenes with figures," he comments. "This is something
that offers potential for greater originality, I think. Lots of
artists paint landscapes and Venice!" Yet although diverse, his
subject matter is linked by a strong understanding and interest
in light and colour. In all his work it is the way that he interprets
a certain quality of light, through the careful selection and handling
of colour, that evokes a particular mood and sense of place. His
paintings are impressions that connect with a given moment in time
and often there is a nostalgic or romantic feeling about them.
To
date, travel has been an important aspect of Paul's work. He is
constantly looking for new locations for landscape subjects as well
as interesting settings for his figurative compositions. "Sometimes
I go to places that are recommended to me," he says, "but generally
I choose my own destinations - places that I think will inspire
fresh ideas. Apart from the UK I have worked in France, Ireland,
Italy and the US. Not knowing what you are going to find is part
of the excitement, I think. Equally there can be value in revisiting
certain locations, though not simply to repeat scenes that you have
already painted."
After
graduating with a degree in economics from Cardiff University Paul
Brown worked for three years in London until, disillusioned with
his job and discovering he was dyslexic, he decided to switch careers
and concentrate instead on painting. He had always been very interested
in painting and now was the time, he thought, to see if he could
make a successful career as a professional artist. His first solo
exhibition was held in London in 1992 and he has painted full-time
since then.
There
are regular solo exhibitions of Paul's work at Gallery 47 in London
and his paintings have also been shown at the Alchemy Gallery, Air
Galleries, Ebury Galleries and the Mall Galleries in London, as
well as the Century Galleries at Henley and other established provincial
galleries. Additionally, his paintings and working methods have
been featured in a number of magazines and journals, and there are
paintings in many private and corporate collections.
Part
of an interview with Robin Capon for Leisure Painter January 2005